It is an often-repeated piece of advice in certain circles that sharing custody a canine companion post-separation is a terrible idea. The consensus suggests such arrangements hinder former couples from healing, create logistical nightmares, lead to tension, and become annoying for all parties. Seemingly, as a development suited to a streaming movie, it reportedly leads to our furry friends to become depressed.
Not to downplay the inner life of dogs – many owners observe their deep emotional capacity. To witness a masterclass in pet despair, simply recall recent cinema. It seems certain that a dog such as Merv, a spirited little dog portrayed by a talented dog named Gus, would find it difficult adjusting to divided living arrangements. Whether this premise a feature-length romcom on this conflict holds water is rather doubtful.Predictable Foundations
Honestly, Merv, the work of the writing duo and helmed by director Swale, doesn't pretend to be anything more than its premise. It functions as a holiday release from a corporate studio – the complexity remains surface-level. Its storyline unfolds as straightforward: a separated couple Russ (Charlie Cox) and Anna (Zooey Deschanel), forced to acknowledge that their individual funk is surpassed by their dog's, decide on a therapeutic trip to a dog-friendly resort. At this location, predictably, they will undoubtedly rediscover the idea that they should reunite. Side characters – including familiar faces – are crafted as the usual assortment of types. Visually is reminiscent of a streaming service original, with a Christmas setting that is obviously artificial – as seen in flurries clinging to lush pines as North Carolina substitutes for the Northeast.
Where the Film Shines
If these predictable parts coalesce into a pleasant experience rests upon the strength of the performances and one's taste for easy entertainment. Regarding the second aspect, Merv targets a specific viewer – the kind who scroll endlessly for dog videos. Audiences receive a plethora of adorable dog montages. The primary selling point is the canine star, and though it results in some stilted moments between the pet's "lines" and human reaction, the movie delivers on walking sequences, pet moping, and, finally, doggie joy.
The Human Element
This level of success does not extend for the romantic plot. The film's approach wavers between serious study, zany antics, formulaic romance, and silly gags, never fully committing to a consistent feel. No blame falls on Cox's performance, who is willing to embrace the absurd and awkward required by the unusual premise. His performance contains a charming humility that offers the bulk of the chemistry for this ostensibly perfect couple. Zooey Deschanel, true to her usual style, imparts a particular brand of eccentricity that will either resonate with viewers. The character seems a touch too detached, notably when paired with Cox's heartfelt sincerity. (For what it's worth, the canine performer succeeds in flopping and whining – while no Messi from that acclaimed drama, he's definitely a very good boy.)
Merv tries to provide depth to Anna and Russ's relationship for scenes without their pet – a regrettable choice, considering the title character is by far the most adorable aspect of this cute-aiming movie. As one might predict, it just about gets by. The reason for their separation could have been more adult and realistic with less exposition and more subtle storytelling. As it stands, Merv is gentle and pleasant, meeting every expected note. Making a film with this canine conflict isn't a bad idea – but it's hardly a brilliant concept.
- Merv becomes available on Amazon Prime Video on December 10th.
